May 2009

Lookout Point

 

Historic eatery celebrates anniversaries

Most people have enough trouble trying to plan the events around a single anniversary celebration. Nancy Ferro, the owner of the Mt. Shasta restaurant in Michigamme, doesn’t mind though. In fact, she’s planning four anniversaries at one time.
“It’s definitely keeping me busy,” laughed Ferro, who moved to the area from Chicago five years ago to reopen the restaurant. Ferro found success in her venture, open for her fifth year as of April 15.
“I’m so glad I did this,” she said. “It’s been nothing but a great experience.”
And the experiences just keep growing, and not just for Ferro. This year marks the fiftieth anniversary of the filming of the movie Anatomy of a Murder, which was shot in locations that included Big Bay, Ishpeming, Marquette and Michigamme. Several scenes from the movie were filmed right in Mt. Shasta, with several of the actors staying in the quaint cabins there.
Fans of the movie have flocked to the location over the years, a phenomenon that hasn’t changed since Ferro took the reins.
She has met people from all over the country who have come just to fawn over the location and the role it played in the movie, considered by many to be one of the greatest courtroom dramas ever filmed. In 1989, the American Bar Association named it one of the top twelve trial movies.
“I never thought I would own a piece of history like this,” said Ferro, who is kicking off celebrations early with special events May 7 and 8—dates filming took place at Mt. Shasta fifty years ago.
May 7 will find Jim Penderson of the Jimmy Almen trio playing the Grammy-Award-winning soundtrack to the movie, as made famous by jazz artist and Anatomy of a Murder actor Duke Ellington. May 8 has Mt. Shasta offering a brook trout fish fry in honor of the movie and its writer, John D. Voelker, an avid trout fisherman.
During this time, the dinners served at Mt. Shasta—which is a smoke-free facility—will come with complimentary desert to help celebrate two more anniversaries. Ferro said 2009 marks the seventieth year the Mt. Shasta building has been in Michigamme, after being moved there in 1939 from Ishpeming. Built reminiscent of old-style log cabins, it was taken apart log by log, which were numbered and shipped to Michigamme before being reassembled at its current US-41 location. In addition, the woman who bought the building and had it transported to Michigamme turns 100 years old this year. Norma Ball will hit the century mark October 4; Ferro thought it appropriate to tie in the celebration with the other anniversaries.
“She’s such a wonderful person,” Ferro said. “She told me once that it cost her more to move it here from Ishpeming than it cost her to buy it seventy years ago. Can you imagine that?”
After the initial celebrations this month, Ferro said Mt. Shasta will be helping celebrate the June release of the film, which debuted in Ishpeming in 1959.
On June 26, Penderson will again be playing the soundtrack from the movie, with brook trout being served as a special dish to help kick off the celebrations. The following day, the restaurant will host the Anatomy of a Murder reunion, with thirteen confirmed guests who were extras in the film. In addition to the reunion, author Joan G. Hansen will sign copies of her book, Anatomy of Anatomy: The Making of a Movie, from noon until 3:00 p.m.
Mt. Shasta will be the site of the showing of the movie again on June 28 and 29. Also on June 29, there will be birthday cake throughout the day in celebration of Voelker’s birthday, who was born in 1903 and died in 1991.
The music stylings of the soundtrack will be heard again on June 30 at the restaurant, followed by another book signing by Hansen the following day. July 3 will find Michigamme celebrating Independence Day with fireworks, while Mt. Shasta will show Anatomy of a Murder again and feature a brook trout fish fry. The town’s parade the following day will feature a float dedicated to the movie while the restaurant will screen the film and feature live music.
“It’s really so exciting to be a part of it all,” Ferro said. “I didn’t have any idea how popular this movie still was until I came here.”
It took eight months to prepare to open the restaurant after it had been closed under the previous management. Ferro met several people who talked about the building’s role in the movie, notably Lorraine Perry, who worked at the lodge for forty-four years before retiring.
After the restaurant opened and people began to come in and take photos of the interior and of the pictures of the movie’s stars that hung on the wall, she started to realize just how popular Anatomy of a Murder was.
“I couldn’t believe that there were people coming from all over the country to see the place,” she said. “We’ve had busloads of people come here, just because it was part of that movie.”
Ferro said it’s a joy listening to people talk about the movie when they come in. She said they point at where the actors had been dancing, or where Duke Ellington played the piano.
“Listening to them makes it so much more exciting for me,” Ferro said. “They get pumped about it. They love it. It’s really great listening to people who recognize all the different scenes from the movie when they come here.”
For details, call 323-6312 or visit www.pwpl.info/anatomy
—Sam Eggleston

 

 

Transition town Marquette: a new resilience

How well prepared is our community to deal with the realities of climate change, a contracting global economy, sharply rising energy prices and drastically reduced availability of gasoline, natural gas and heating oil? The end of the Age of Cheap Oil is coming upon us rapidly, and our lives are going to change dramatically, whether we want them to or not.
A transition initiative has begun in Marquette to raise awareness about peak oil and climate change and encourage the community to look for answers that will work on a local scale. The transition movement began in the UK a few short years ago as a community-based response to these pressing and historically unprecedented problems.
Indeed, the challenges are fundamental and serious. How will Marquette feed itself, transport people and goods, and heat homes and buildings? What will our local economy look like? How will we deliver basic services? What sort of jobs will people have? These can be deeply disturbing issues to ponder and are best dealt with in a positive, creative, community-wide approach.
The Transition Marquette initiative was sparked by a seven-month film series at Peter White Public Library (“Preparing Marquette for a Future without Oil”) sponsored by the NMU Geography Department. The purpose of the series, which continues until June 10, is to raise awareness about peak oil and the global economic crisis and to encourage people to engage these issues on a community level. The next film, “The Power of Community,” will be shown at 7:00 p.m. May 27 in the Peter White Public Library Community Room. Admission is free.
Unlike many environmental groups, the Transition movement doesn’t seek to assign blame, vilify short-sighted corporate executives and political leaders or impose any sort of agenda upon people. Instead, the movement operates from a “Hey, we’re all in this together” point of view, encouraging each community to face these global challenges squarely and find its own answers. The underlying belief within the Transition movement is that a future with less oil could be very preferable to the world we live in right now. Key to this approach is the idea of people re-discovering the many good things about life in their communities before cheap, plentiful oil existed and finding ways of combining those elements with the best aspects of our present-day life. It asks us to unleash the creative genius within our community, imagine Marquette without oil and take proactive steps toward that hopeful vision.
If there’s a single thread woven throughout the Transition movement, it’s that of resilience, a concept familiar to ecologists, but less so to many other people. Rob Hopkins, founder of the Transition movement, defines it this way: “Resilience refers to the ability of a system, from individual people to whole economies, to hold together and maintain their ability to function in the face of change and shocks from the outside.” (This comes from the introduction to his book, The Transition Handbook—From Oil Dependency to Local Resilience.)
In its simplest form, a Transition initiative is a catalyst for engaging all the sectors of a community and getting people to think and act. The process doesn’t involve a group coming in with answers—rather, it encourages us to ask the right questions. Where has our resilience gone? Can we imagine Marquette without oil? What will that look like? What are some of the things we can do to prepare for it?
The response to this very positive, empowering approach to our pressing global problems has been remarkable. Through the Transition movement, a cultural and economic renaissance of creative ideas and energy is unfolding and blossoming around the world.
People in hundreds of towns like ours are rebuilding local agriculture and food production, localizing energy production, reshaping health care systems, rediscovering local building materials for zero-energy construction projects, rethinking waste management strategies and much more.
At its core, the Transition movement, as Hopkins said, is “not about how dreadful our future could be; rather, it is an invitation to join the hundreds of communities around the world who are taking the steps toward making a nourishing and abundant future a reality.”
Visit these Transition Town Web sites for more information: transitionus.ning.com/group/transitionmqt and transitionus.ning.com
—Bradford Veley


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